This is due to the fact that most graphics cards weren’t designed to playback 4:2:2 h.265 footage, and the solution is absolutely simple. It is designed to store footage and metadata from that specific camera in the absolute best manner the camera hardware will allow, and hopefully be recoverable should there be any errors or file corruption.īack in the days of magnetic tape, codecs were never an issue in post-production because footage had to be played and digitized directly.Įven with a 12-core, Vega II Mac Pro with 192GB of ram, Max has more issues playing 10-bit 4:2:2 4K H.265 footage from the Canon R5 than he does working with the 8K raw files. The short answer is that this footage wasn’t necessarily designed to be directly played or edited on your computer or any computer for that matter.
Whereas, most professional computer-based video codecs are geared toward playback efficiency, color retention, and expandability. Video camera makers custom design their codecs for fast recording, bandwidth, efficiency, and to integrate with their imaging ecosystem. 10-bit 4:2:2 and 8K RAW video not only take up a lot more space on your drives, they also require your computer to work a lot harder to play that material back.īut before you run off and throw away your current system, Max Yuryev has some tips that might just save you some dough.ĭifferent video codecs work best for different things. When your shoot is done, you’ll probably notice that although you can shoot some amazing 4K and 8K video with your brand new Canon EOS R5 that editing that video even on the fastest computer can be a bit clunky. Despite the limitations due to its overheating issue, a lot of people are dying to get their hands on one. The Canon EOS R5 is a revolutionary camera with capabilities you never would have believed were possible a decade ago.
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